nga\/by artan islamaj<\/p>\n\n\n\n
– die welt w\u00fcrde untergegangen gewesen sein – diese welt war nun tot gewesen. <\/p>\n\n\n\n
– dynja, o dynja – por si duk\u00ebt ardhm\u00ebria? a do t\u00eb isht\u00eb si n\u00eb nj\u00eb \u00ebnd\u00ebrr \u2013 ose nj\u00eb \u00ebnd\u00ebrr brenda nj\u00eb \u00ebnd\u00ebrr tjet\u00ebr? sa nivele ka k\u00ebtu \u2013 ka atj\u00eb \u2013 ka fare?<\/p>\n\n\n\n
– je ne sais pas – moi, je suis indiff\u00e9rent – le monde et le temps \u2013 en fait toutes les dimensions sont indiff\u00e9rentes aussi. donc, personne n\u2019est pas. <\/p>\n\n\n\n
-\u0643\u064a\u0641 \u0630\u0644\u061f \u0627\u0646\u062a \u0628\u062e\u064a\u0631\u061f \u0647\u0644 \u0627\u0646\u062a \u062d\u0642\u0627 \u0628\u062e\u064a\u0631\u061f \u0645\u0646 \u0647\u0648 \u0628\u062e\u064a\u0631 \u0628\u0627\u0644\u0641\u0639\u0644\u061f \u0645\u0627 \u0647\u0648 \u0627\u0644\u062e\u064a\u0631 \u0648\u0627\u0644\u0634\u0631\u061f \u0647\u0644 \u0639\u0648\u0627\u0637\u0641\u0646\u0627 \u062d\u0642\u064a\u0642\u064a\u0629\u061f \u0639\u0646\u062f\u0646\u0627 \u0645\u0634\u0627\u0643\u0644 \u0643\u0628\u064a\u0631\u0629 \u0648\u0643\u062b\u064a\u0631\u0629. \u0645\u0627\u0630\u0627 \u0644\u0648 \u0644\u0645 \u062a\u0643\u0646 \u0647\u0630\u0647 \u062d\u0642\u064a\u0642\u064a\u0629 \u0639\u0644\u0649 \u0627\u0644\u0625\u0637\u0644\u0627\u0642\u061f \u0623\u0644\u064a\u0633 \u0645\u0646 \u0627\u0644\u0623\u0633\u0647\u0644 \u0644\u0646\u0627 \u0623\u0646 \u0646\u0635\u062f\u0642 \u0630\u0644\u0643\u061f<\/p>\n\n\n\n
– sic mundus est \u2013 non modo ora et labora nullus est, sed etiam capitalismus et suae consequentiae sunt sicut in malum. similis primum malum.<\/p>\n\n\n\n
– \u043a\u0430\u043a\u043e \u0441\u0438? \u0412\u0430\u043a\u0430 \u0442\u0430\u043a\u0430. \u041d\u0435 \u0441\u0443\u043c \u0441\u0438\u0433\u0443\u0440\u0435\u043d \u0434\u0430\u043b\u0438 \u043d\u0430\u0448\u0438\u0442\u0435 \u043e\u0434\u0433\u043e\u0432\u043e\u0440\u0438, \u043a\u0430\u043a\u043e \u0448\u0442\u043e \u0441\u0435 \u0434\u043e\u0431\u0440\u0438 \u0438\u043b\u0438 \u043b\u043e\u0448\u0438, \u0440\u0435\u0444\u043b\u0438\u043a\u0442\u0438\u0440\u0430\u0430\u0442, \u0448\u0442\u043e \u0441\u0435 \u0441\u043b\u0443\u0447\u0443\u0432\u0430 \u043a\u0430\u0458 \u043d\u0430\u0441.<\/p>\n\n\n\n
– why even be here – this shit doesn\u2019t make any sense!<\/p>\n\n\n\n
—<\/p>\n\n\n\n
– aber da gibt\u2019s text(e). was macht denn dieser text und andere texte, die du hier liest mit dir? \u00e4ndert sich da was, auf molekularer ebene? gibt\u2019s da chemische vorg\u00e4nge, die dich irreversibel modifizi- und transformieren? <\/p>\n\n\n\n
– ti gjithmon\u00eb flet p\u00ebr kuptimin e jetes – dhe bukurin\u00eb e saj. por kurr\u00eb p\u00ebr mbar\u00eb gj\u00ebrat, q\u00eb na d\u00ebshmojn\u00eb, q\u00eb na fusin posht\u00eb, q\u00eb na b\u00ebjn\u00eb t\u00eb vuajm\u00eb. p\u00ebrse? mua m\u00eb duket, q\u00eb shoq\u00ebria ka vendosur t\u00eb mos shpreh\u00eb probleme t\u00eb tilla, duke dashur t\u00eb mbroj\u00eb nj\u00ebri-tjetrin \u2013 mir\u00ebpo rrjedhojat nuk aspak jan\u00eb t\u00eb mira!<\/p>\n\n\n\n
– ceci ce n\u2019est pas une vie belle ou une vie en rose – ceci c\u2019est l\u2019ab\u00eeme. mais j\u2019aime son obscurit\u00e9, sa s\u00e9r\u00e9nit\u00e9 et son privation holistique.<\/p>\n\n\n\n
-\u0646\u062d\u0646 \u0646\u0628\u062d\u062b \u0639\u0646 \u0627\u0644\u0646\u0647\u0627\u064a\u0629. \u0648\u0641\u064a \u0646\u0641\u0633 \u0627\u0644\u0648\u0642\u062a: \u0627\u0644\u0628\u062f\u0627\u064a\u0629. \u0623\u0645 \u0623\u0646 \u0627\u0644\u0628\u062d\u062b \u0645\u062c\u0631\u062f \u062e\u064a\u0627\u0644\u061f \u0647\u0644 \u0646\u062d\u0646 \u0627\u0644\u0645\u0637\u0644\u0648\u0628\u064a\u0646\u061f \u0642\u0637\u0639 \u063a\u064a\u0631 \u0646\u0634\u0637\u0629 \u0645\u0646 \u0644\u0639\u0628\u0629 \u0634\u0637\u0631\u0646\u062c \u0643\u0628\u064a\u0631\u0629 \u0627\u0644\u062d\u062c\u0645.<\/p>\n\n\n\n
– quid enim historia? iam paratum est? ubique discurrit. <\/p>\n\n\n\n
– \u0433\u043b\u0435\u0434\u0430\u043c \u0441\u0430\u043c\u043e \u0437\u0432\u0443\u0446\u0438 \u2013 \u043d\u0435 \u0433\u043b\u0435\u0434\u0430\u043c \u0431\u043e\u0438. \u0421\u0435\u043f\u0430\u043a, \u0437\u0432\u0443\u0446\u0438\u0442\u0435 \u0438\u043c\u0430\u0430\u0442 \u0434\u043b\u0430\u0431\u0438\u043d\u0430 \u0448\u0442\u043e \u043c\u043e\u0436\u0435 \u0434\u0430 \u043e\u0434\u0432\u0435\u0434\u0435 \u0432\u043e \u0430\u043c\u0431\u0438\u0441 \u043d\u0430 \u043d\u0435\u043a\u043e\u0458.<\/p>\n\n\n\n
– just thoughts rushing through my head in lightning speed; there will be a moment, where they\u2019ll just stop. it has always happened. it will happen. it happens. but is it really just an abrupt occurrence or is it a gradual process, that could be ongoing right now, in the very moment i write this, in the very moment you read this? <\/p>\n\n\n\n
<\/p>\n\n\n\n
—<\/p>\n\n\n\n
<\/p>\n\n\n\n
artan islamaj \u2014 a dual citizen of kosovo and switzerland, both on paper and at heart \u2014 is currently doing his M.A. in english literature and gender studies at the university of zurich. he\u2019s also the co-founder of the zurich-based zine zwischentext<\/em>. <\/p>
artan islamaj \u2014 shtetas i kosov\u00ebs dhe zvicr\u00ebs, si n\u00eb let\u00ebr ashtu edhe n\u00eb zem\u00ebr \u2014 \u00ebsht\u00eb duke p\u00ebrfunduar studimet master n\u00eb let\u00ebrsi angleze dhe studime gjinore n\u00eb universitetin s\u00eb cyrihut. gjithashtu ai \u00ebsht\u00eb bashk\u00eb-themelues i zin\u00ebs zwischentext<\/em>, t\u00eb bazuar n\u00eb cyrih.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"
Shkrim eksperimental shum\u00ebgjuh\u00ebsh nga artan islamaj.<\/p>\n
An experimental multilingual text by artan islamaj.<\/p>\n","protected":false},"author":1,"featured_media":110,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[6,7],"tags":[],"class_list":["post-26","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-experimental","category-hybrid"],"jetpack_featured_media_url":"https:\/\/storylab.al\/zine\/wp-content\/uploads\/2021\/05\/Mecano_3.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/storylab.al\/zine\/wp-json\/wp\/v2\/posts\/26","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/storylab.al\/zine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/storylab.al\/zine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/storylab.al\/zine\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/storylab.al\/zine\/wp-json\/wp\/v2\/comments?post=26"}],"version-history":[{"count":5,"href":"https:\/\/storylab.al\/zine\/wp-json\/wp\/v2\/posts\/26\/revisions"}],"predecessor-version":[{"id":111,"href":"https:\/\/storylab.al\/zine\/wp-json\/wp\/v2\/posts\/26\/revisions\/111"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/storylab.al\/zine\/wp-json\/wp\/v2\/media\/110"}],"wp:attachment":[{"href":"https:\/\/storylab.al\/zine\/wp-json\/wp\/v2\/media?parent=26"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/storylab.al\/zine\/wp-json\/wp\/v2\/categories?post=26"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/storylab.al\/zine\/wp-json\/wp\/v2\/tags?post=26"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}